S The Strings SocietyWritten on the strings
EN IT ES FR DE PT
The flagship hub

David Garrett

Everything we have written about him, in one place: the interviews, the concert nights, the records. His music is where this publication began, and it is still where most of our readers arrive.

Interviews

Interview
Interview

Unknown Caller: Garrett, a German Morning Radio, and the Summer Ahead

21 April 2026
Interview
Interview

Open-Air Magic: Garrett on Rain, Freedom and the Millennium Symphony Tour

11 April 2026
Interview
Interview

Berlin, B.Z. Kulturpreis: Just Someone Who Belongs There

15 April 2026
Interview
Interview

Practice Slowly: Garrett on Guarneri, Work Without Borders, and the Summer in Regensburg

17 April 2026
Interview
Interview

Berlin to Bucharest: A Direct Line to Enescu

24 April 2026

Stories & concert nights

Immortal · One Track at a TimeNo. 05Valse sentimentalePyotr Ilyich Tchaikovsky
New
Immortal · One Track at a Time · No. 5

The Only Reply That Survives

3 August 2026
FROM THE STAGE
Story from the Stage

I (Didn’t) Have Enough

31 July 2026
FROM THE STAGE
Story from the Stage

Masters of Sound

29 July 2026
ESSAY
Story from the Stage

Family Matters

26 July 2026
Immortal · One Track at a TimeNo. 04Theme from Schindler’s ListJohn Williams
Immortal · One Track at a Time · No. 4

The Lilt You Taught Me

18 July 2026
Immortal · One Track at a TimeNo. 03GigaFrancesco Maria Veracini
Immortal · One Track at a Time · No. 3

The Dance That Outlived the Dancer

15 July 2026
Immortal · One Track at a TimeNo. 02Jesu, Joy of Man’s DesiringJohann Sebastian Bach
Immortal · One Track at a Time · No. 2

The Joy That Outgrew Its Name

7 July 2026
Immortal · One Track at a TimeNo. 01Beau soirClaude Debussy
Immortal · One Track at a Time · No. 1

Beau soir — A Beautiful Evening, and the Sea

2 July 2026
EPISODE IVThe Jedi of the Violin
The Jedi of the Violin

A New Hope, in 4/4

Editorial
Music History & Heritage

The Aria That Outlived Its Maker

26 June 2026
The New Album · A First Glimpse

Where the Silence Was Kept

21 June 2026
1935
Music History & Heritage

The Violinist Who Invented His Own Masters

13 June 2026
1703
Music History & Heritage

The Red Priest and the Girls Behind the Grille

11 June 2026
Announcement

Space Table Symphony: The Music Leaves Orbit

10 June 2026
12.09.26
Benefit Concert · Salzburg
Save the Date

If You Were There, You Already Know

8 June 2026
REFLECTION · ARIADNE’S THREAD
Reflection

Ariadne’s Thread

4 June 2026
PREVIEW · GSTAAD🎻♪
Preview · Gstaad

Master of Sound

1 June 2026
EDITORIAL · TALK SHOW🎻“
NDR Talk Show · Hamburg

The Lavender and the Happiest Man

29 May 2026
EDITORIAL · FIELD NOTE🎧“
Editorial · Field Note

Even the Bad Songs Are Teachers

25 May 2026
EDITORIAL · LETTER🧠B
Editorial · Letter

Letter to the Bored Brain

24 May 2026
EDITORIAL · LONG READ🎻G
Editorial · Long Read

How David Garrett Made Classical Music Cool Again — And Why the Critics Came Around

21 May 2026
EDITORIAL · LIST🎸7
Editorial · List

7 Times David Garrett Mashed Classical Music Into a Rock Song

19 May 2026
REFLECTION · ON TALENT🌱
Reflection

Talent Is a Seed. The Rest Is a Choice.

15 May 2026
MÜNSTER
First Stop of the Summer
18.04.26
Review

The One Who Dances With the Violin: Münster, First Stop of the Summer

Review
Review
Instruments

The Memory of Wood

2 March 2026
Discovery
Discovery

Space Table Symphony: Where Music Forgets Gravity

2 April 2026
Reflection
Reflection

The Toccata: When Music Stops Asking for Permission

10 April 2026
Concert Diary
Concert Diary

Munich: A Journey Through One World

24 February 2026
Upcoming
Upcoming

It's Happening Again — David Garrett Cruise 2026

22 April 2026
From the Press
From the Press

When the Violin Danced with the Waves

3 May 2026
EDITORIAL · CONCERT HALL🎻“
Editorial

Rules of the Concert Hall

6 May 2026
EDITORIAL · CROSSOVER🎸!
Editorial

No Rules — Crossover Edition

7 May 2026
An essay · April 2026

The Sound of Becoming

David Garrett — a journey through music, identity, and everything in between.

There are artists who follow a path. And then there are those who create one.

Before the stages, before the spotlight, before the name became global — there was a child with a violin. Four years old. Listening, absorbing, stepping into a language that would never leave him.

The early years are not loud. They rarely are. They are made of discipline. Of repetition. Of silence filled with sound.

At thirteen, recording Beethoven. Soon after, Mozart — alongside Claudio Abbado and the Chamber Orchestra of Europe. Not as a child trying to prove something, but as someone who already carried a voice too defined to ignore.

And then — the trial.

The 24 Caprices of Niccolò Paganini. Music that does not forgive. Music that demands everything. It is here that technique stops being exercise, and becomes identity.

These years are not about becoming famous. They are about becoming ready.

Then comes a moment that every artist faces — not visible, not celebrated: the break.

Walking away. Rebuilding. Choosing not just how to play, but why.

And when he returns, it is different.

Free / Virtuoso is not just an album. It is a decision. To step beyond expectation. To see music not as categories, but as connection.

Rock and classical. Film and composition. Not opposites — reflections.

With Rock Symphonies, that instinct becomes vision. The realization that rhythm, structure, intensity — they have always belonged to both worlds. That a distorted guitar and a violin are not so far apart.

From there, everything opens.

Identity takes shape slowly.

Encore is the moment of ownership — where choice becomes personal. Music pushes further, dissolving boundaries entirely. Legacy returns to the roots, not out of doubt, but out of awareness.

And then, something quieter: Timeless.

A pause. A breath. A reminder that beyond experimentation, there is still something pure — something that never needed to change.

But evolution does not stop.

With Explosive, creation takes center stage. Not just interpretation — authorship. A voice no longer shaped only by what came before, but by what is being written now.

Rock Revolution follows with force — no hesitation, no apology. By now, there is no boundary left to cross.

And then, something unexpected: Unlimited.

A look back. Not to celebrate success, but to acknowledge belief — the idea that once seemed impossible, now undeniable.

But every journey has its confrontation.

Garrett vs Paganini is not homage. It is dialogue.

Stepping into the shadow of the “devil's violinist” — not to imitate, but to respond. To stand in front of a legacy and meet it, note for note.

And somewhere in between, a voice from the past resurfaces:

14 — a recording frozen in time. A teenager. A moment of becoming, finally released years later — not as nostalgia, but as truth.

Then comes something more personal.

Alive – My Soundtrack. Not just music, but memory. Songs tied to moments, emotions, fragments of a life lived both on and off stage.

And from there… something shifts again.

Iconic is not about the future. It is about what remains.

A return to the great violinists of the past — Jascha Heifetz, Fritz Kreisler, Yehudi Menuhin — not as distant figures, but as part of a lineage now fully understood.

Virtuosity steps back. What remains is melody. Meaning. Essence.

And finally: Millennium Symphony.

Not a choice between worlds — but their union.

From Taylor Swift to Coldplay, from Beyoncé to Ed Sheeran — the sound of a generation is gathered, reshaped, and elevated into something orchestral, expansive, almost cinematic.

Not crossover anymore. Not even evolution.

Something else.

In the end, this is not a story about genres. Or albums. Or even success. It is a story about listening — deeply enough to hear connections where others hear differences.

About holding on to roots, while never being confined by them. About turning discipline into freedom.

And about understanding, at some point, that the path you were searching for…

was always the one you were creating.

The records

The Mood Quiz

What's Your Mood? We'll Pick Your David Garrett Track

Sometimes you don't know what you want to hear — you just know how you feel. Answer below and let the bow do the rest. No overthinking. Just vibes.

How are you feeling right now?